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In the age-old battle between cats and dogs, one crazed feline has taken things a paw too far. Kitty Galore, formerly an agent for cat spy organization MEOWS, has gone rogue and hatched a diabolical plan to not only bring her canine enemies to heel, but take down her former kitty comrades and make the world her scratching post. Faced with this unprecedented threat, cats and dogs will be forced to join forces for the first time in history in an unlikely alliance to save themselves — and their humans.

Jacqueline Kennedy Onassis sued him, Marlon Brando broke his jaw and Steve McQueen gave him a look that would have killed, if looks could kill. To the celebrities he pursued, photographer Ron Galella was the beast who threatened beauty. As it turned out, he gave them a strange and lasting beauty they might never have known without him. Inherent in the story of this notorious paparazzo are the complex issues of the right to privacy, freedom of the press and the ever-growing vortex of celebrity worship. He sneaked around and invaded and bribed and held up his camera and shot till he dropped (or someone dropped him). His was the artistry of the sniper. Yet Galella found something essential in his real-life subjects, and he gave it permanence.

A movie spun out of equal parts folk tale, fable and real-life legend about the mysterious, 1930s Tennessee hermit who famously threw his own rollicking funeral party… while he was still alive.

A sophisticated and moving comedy, THE EXTRA MAN follows Louis Ives (Paul Dano), a lonely dreamer who fancies himself the hero of an F. Scott Fitzgerald novel… When a deeply embarrassing incident forces him to leave his job at an exclusive Princeton prep school, Louis heads to New York City to make a fresh start. He quickly finds a nine-to-five job at an environmental magazine, where he encounters an entrancing, green-obsessed co-worker Mary (Katie Holmes). But it’s Louis’ new home life that really sparks his imagination. He rents a room in the ramshackle apartment of Henry Harrison (Kevin Kline), a penniless, wildly eccentric but brilliant playwright. When Henry’s not dancing alone to obscure music or singing operettas, he’s performing – with great panache – the duties of an “extra man”, a social escort for the wealthy widows of Manhattan high society. These two men, separated in age by more than forty years, develop a volatile mentor/apprentice relationship. Through a series of urban adventures where they encounter everything from a leaping lion to a wildly jealous hirsute neighbor, from drunken nonagenarians to a shady Swiss hunchback, Louis and Henry form a memorable bond that bridges their differences.

James (Ryan O’Nan) returns from Iraq to face a new battle: reintegrating into his small-town life in Texas. His wife (America Ferrera), his mother (Melissa Leo), and his friend (Jason Ritter) provide support, but they can’t fully understand the pain and suffering he feels since his tour of duty ended. Lonely, James reconnects with an army buddy (Wilmer Valderrama), who provides him with compassion and camaraderie during his battle to process his experiences in Iraq. But their reunion also exposes the different ways that war affects people-at least on the surface.

This moving, taut story of redemption and reconstruction extends beyond a post-traumatic-stress-disorder narrative. O’Nan is heartbreaking as he explores the depths of his internal struggle; Ferrera fearlessly tackles her role of a young wife in turmoil. THE DRY LAND is about one man’s fight within his own terrain-his country, home, and mind-and his journey to rebuild what he’s lost.

The movie is a true story of Steven Russell (Carrey), a married father whose exploits landed him in the Texas criminal justice system. He fell madly in love with his cellmate (Ewan McGregor), who eventually was set free, which led Russell to escape from Texas prisons four times.

An extraordinarily stupid man possesses the ability to ruin the life of anyone who spends more than a few minutes in his company.